On the Subject of Adaptations: Part 2 – Too Close for Comfort

Like many of his films, Zack Snyder’s Watchmen (2009) has a polarizing effect. While I can appreciate the aesthetic choices and faithfulness to Alan Moore’s 1986 comic of the same name, I am in the camp that doesn’t care for the adaptation. While one can nitpick the acting and presentation, it is the trepidation to take much artistic license on Snyder’s behalf (except for the lackluster ending and strange mid-air sex scene, which we will get into in a moment) that causes my dislike of the adaptation.

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Moore’s comic on (left) vs. Snyder’s adaptation (right)

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